buenos aires
COVER
ARTWORK
LIVE IMAGES
OSA REPORT 2005
TOMASIN'S NON-PHILOSOPHY
2008: mail-submission to the 18 year anniversary is featured on the or_/republika: live rough compilation >>>
2009: finally this unreleased cassette from 1998 showed up: kol-rrr-kaat
THE TRASS! ANARCHIVES - MONTHLY NOISE AND EXTREME MUSIC --> FREE DOWNLOADS VIA AMBOLTHUE --> UNCOMPRESSED CDRS VIA or_/ekonomika
agents >>> Anla A132, Miguel A144, Conlazo A145
produce >>> Kol-rrr-kaat (web album/cdr), track on Live Rough Compilation (web album/cdr), tracks on Free 10 Year Album (web album/cdr comp) and Free 16 Year Album (web album/cdr comp), cover song on Origami Replika: SchMerzPønkDaDa Mp3bute, In The Pampas Of Origami Replika CASS, as Courtis: Distorted Micromoog Atofia Vol. 1 CASS, Bøe by Courtis: Bløt Og Mono Middagshvil 3"CDR, Marhaug/Courtis: North And South Neutrino CD
live >>> NYX (Oslo, Norway), Innherredsveien 100 (Trondheim, Norway), Museo De Arte Moderno (Buenos Aires, Argentina)
related >>> Courtis, Reynols, or_/all-stars
Origami South Amerika - Museo De Arte Moderne, Buenos Aires, Argentina 190998:
Hi Origami Central: Here is OSA after the show. All was OK. The place was pretty full (80 people more or less). Good sound.
I mixed the sources alive with a portastudio, also made some gtr treatments (with a ruler & knitting needle, etc).
R. Conlazo (the other Burt Reynols Ensamble gtr) played a Les Paul with an electric shaving machine, blowing it and more!.
We used a video with a short Miguel Tomasin presentation and then the rest of it was a tender with clothes blowed by the wind. 30 minutes of good show. The audience was atonished.
Previously played an ensamble of contemporay music (very boring for my taste), but then our stuff was pretty heavy, so I think they woke up inmediately!
'Origami central says: Well done, and good luck in the future!'
Origami South Amerika 'Kol-rrr-kaat'
Remixes, sound processing, e-guitar, electronics, etc by Courtis A132. Introductory words by Miguel Tomasin A144. Recorded in Buenos Aires, Argentina, 1998.